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・ Heinrich von Handel-Mazzetti
・ Heinrich von Herford
・ Heinrich von Herzogenberg
・ Heinrich von Heß
・ Heinrich von Hohenlohe
・ Heinrich von Kittlitz
・ Heinrich von Kleist
・ Heinrich von Knöringen
・ Heinrich von Lichtenau
・ Heinrich von Littrow
・ Heinrich von Louffenburg
・ Heinrich von Maltzan, Baron zu Wartenburg und Penzlin
・ Heinrich von Melk
・ Heinrich von Morungen
・ Heinrich von Nutzhorn
Heinrich von Ofterdingen
・ Heinrich von Pierer
・ Heinrich von Plauen
・ Heinrich von Plötzke
・ Heinrich von Ranke
・ Heinrich von Recklinghausen
・ Heinrich von Rustige
・ Heinrich von Schlick
・ Heinrich von Siebold
・ Heinrich von Siegburg
・ Heinrich von Staden
・ Heinrich von Stephan
・ Heinrich von Stietencron
・ Heinrich von Sybel
・ Heinrich von Tenner


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Heinrich von Ofterdingen : ウィキペディア英語版
Heinrich von Ofterdingen

Heinrich von Ofterdingen is a fabled, quasi-fictional Middle High German lyric poet and Minnesinger mentioned in the 13th century epic of the ''Sängerkrieg'' (minstrel contest) on the Wartburg. The legend was perpetuated by Novalis in his eponymous fragment novel written in 1800 and by E. T. A. Hoffmann in his 1818 novella ''Der Kampf der Sänger''.
==Sources==
The 24 ''Fürstenlob'' (princely praise) stanzas of the ''Sängerkrieg'' describe Heinrich's challenge to the most famous singers like Walther von der Vogelweide, Reinmar von Zweter and Wolfram von Eschenbach in the presence of the Landgrave of Thuringia. Defeated by cunning he obtains the permission to call in the legendary sorcerer Klingsor von Ungerlant (Hungary) to his relief. Several, partially divergent versions of the ''Sängerkrieg'' were rendered in later ''Liederhandschrift'' manuscripts, among them the ''Codex Manesse''; it was depicted as a historic event already by medieval chroniclers such as Dietrich of Apolda. The younger vulgate version of the ''Laurin'' poem about Dietrich von Bern (Theoderic the Great) ascribes the authorship to Heinrich.
After the ''Sängerkrieg'' was republished by the Swiss author Johann Jakob Bodmer (1698–1783), the medieval tale about poetry and society became popular with Romantic writers. Heinrich von Ofterdingen became chiefly known by the novel of Novalis published in 1802 and the dramatic realisation in Richard Wagner's opera ''Tannhäuser'', coalesced with the late medieval Tannhäuser legend, a conflation created by CTL Lucas in his ''Ueber den Krieg von Wartburg'' (1838). The Novalis novel also contained the symbol of the Blue Flower which became a key symbol in Romanticism. In the early 20th century nationalistic German writers portrayed Heinrich as a defender of veritable German poetry and even as author of the ''Nibelungenlied'' poem.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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